Managing Audition Nerves Part 1: Arrange Logistics & Stay Calm on Audition Day

Most of your attention should be focused on the important stuff like practicing audition repertoire & setting up mock auditions, but the practical side of planning auditions should not be put off! Follow these guidelines & you will avoid unnecessary distractions & stress at your audition:

Planning ahead

  • Don’t procrastinate! Schedule your audition as soon as possible.

  • Once the date & time are confirmed, arrange flight, lodging, & local transportation.

  • When traveling by air, leave plenty of room for delays.

  • Research what the weather will be like at the time of your audition. Will this affect your instrument?

  • In case cell service is disrupted, print out a map of the school & circle the audition location & parking lot (bus stop or Uber drop-off location).

  • Do some sleuthing. Find out about the audition space: Where’s it located? What’s it like? How are the acoustics? Is there a warm-up room?

Audition Day

  • Prioritize a good night’s sleep & eat a good breakfast.

  • Dress comfortably, but look neat & sharp: Concert black attire is fine!

  • Warm up initially at home or in your hotel room if possible.

  • Plan for traffic and leave early so you don’t feel hurried upon arrival.

  • Arrive early & find a space to stretch, meditate, & visualize your openings before your warm-up.

  • Pack a self-care package with a water bottle & snacks

  • Ask if an accompanist is provided or if you need to bring your own.

  • Bring an audition program, two paper copies of your repertoire for yourself & the accompanist (if requested), extra copies of your resume & repertoire list, &  printed-out information about the audition.

Sources

In-Person Audition Day Logistics for Classical Applicants

The Prepared Musicians Guide to Planning for Auditions

How to Nail Your Audition at the Music Conservatory of Your Dreams

Connect with Best Fit Education for assistance with your performing and visual arts college applications

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Managing Audition Nerves Part II: Get Centered

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Puzzling it Out: Writing for Performing and Visual Arts Applications